I prefaced this entry last month with the statement, Endless
Summer. It’s peculiar that one of the Beach Boys’ best selling albums was
entitled Endless Summer and now Brian Wilson has left us. Ah, it’s like
a part of my childhood dying. I’ll never forget living in a suburb that looked
like a diorama piece from a Tim Burton film, my mom cleaning the house on a
Saturday morning and awakening to the sound of “Sloop John B” playing on the
radio. If only I could return to childhood for another day, but alas, putting
squeezed toothpaste back into the tube would be an easier task. Adulthood was
inevitable, but no matter. My motto is: have as much fun as you can as often as
you can. I never have to do another freaking inventory again. How can life not
be fun? I am learning Kiss’s “Detroit Rock City.” And that’s so much fun, I can
barely contain myself.
BladeRunner 2049 on 4K Blu-Ray: I may have said it before; this time this statement supersedes all others. This is the most beautiful 4K Blu Ray I have. Kudos to Denis Villenueve, the director for his artistic vision (yes, he did consult with Syd Mead) who, with his use of neon and mist, shadow and silence, created a dreamscape film that simply lingers. Roger Deakins, the director of photography, cleverly made light itself a character in the movie. And of course, Hans Zimmer’s soundtrack which is a beautiful homage to the Vangelis’ gorgeous soundtrack from the original. The storyline is ingenious, and the expertly sought cast brought that story to life so well, this film now has a home in my top five films of all time. I’m struggling to say it, but this film has the rare honor of being a sequel that surpasses the original movie.
Call of Duty Warzone on PC: Last month this spot was occupied by World of Warships. My friend, Garrett Thrasher, convinced me to take a break and give this one a go. It comes in at a walloping 260 gigabytes, and begs the question how can graphic shaders and accruements take up so much space (especially for a free to play game), but the end result might be worth it. Despite the game’s convoluted menu interface system and the other paid games nestled imbroglio-like into the warzone game, the game itself is beautiful, easy to play (and relatively easy to be good at.) It has an addictive leveling system, and much fun is to be had playing with a team of friends. If you have the buddies and the real estate on your hard disk drive, it’s worth a try. I’d like to give special mention to playing solo. The game takes on a whole new spin when you are alone against the world, it becomes so quiet you can hear your own breathing while wearing a gas mask, and every sound becomes suspect.
Boston Third Stage on CD: Releasing in 1986 (after taking six years to make) this album was the first CD-formatted album to have been certified gold (500,000 copies) by the RIAA. It was also certified gold in the LP format, believed to be the first album certified in both of these formats. Considered to be darker and more somber than the two prior Boston releases, this album is my favorite. Everybody gushes over “Amanada,” but for me what does it is the song, “Hollyann.” Listening to that beginning guitar playing the beautiful arpeggio. I think you’ll agree.
Patrick O’Hearn Metaphor on CD: Patrick O’Hearn has always been my great little secret. You can find him in the New Age section, but he’s much more than that, having rubbed shoulders with (and cut albums and done tours) Frank Zappa, guitarist Andy Taylor (Duran, Duran) and one of my other personal favorites, Mark Isham, O’Hearn also co-founded and played with the new wave band, Missing Persons in the early 80s. He eventually went out on his own as an electronic artist. Metaphor was O’Hearn’s 7th studio album and featured a soundscape that evoked great sadness (the album cover depicts a sad and dejected statue that looks like it resides in a cemetery.) The song “The Women of Lachaise” is the one song that makes my eyes well up at its mere beginning. The album is a bit more acoustic than O’Hearn’s previous titles, but it still carries that great soundscape characteristic that is totally Patrick O’Hearn.
Angel Heart on 4K Blu-Ray: Decades ago, on a typical Friday night I would have ordered a pizza and popped a rented movie into the VCR. This was one such movie. And I’ve not seen it since. It’s been too many years. Set in 1955 in Brooklyn, NY and New Orleans, LA, this is a dark psychological thriller bearing grim, morbid overtones from the beginning to the end of the film. From its ominous back alley bowels of Brooklyn to the sinister religious innuendos infused throughout, this movie has no chance of a happy ending. But the hopeless journey is so frighteningly engrossing that you can't take your eyes off the screen. Alan Parker’s direction was meticulous. The movie’s set designs look authentic enough that this movie could be used as a period piece for the 1950s. The 4K transfer with its lugubrious dark blues and gashing sanguine reds, is a far cry from the original VHS version which released in 1987.
Anna Karenina by
Leo Tolstoy: This was truly a summer read, taking me three months to ingest. I
last wrote about it here when I was well into the novel, but not near the end. Tolstoy
referred to this book as his first true novel. It centers on the titular Anna
Karenina, living the stately life, being married to a prince, who has a sordid
affair with the charismatic calvary officer, Count Alexei Kirillovich Vronsky
and the ensuing scandal that follows. The novel deals with several themes
intertwined with the book’s plot, Karenina leaving her husband, pursuing
happiness in Italy with her lover, Vronsky, where their relationship begins to
disintegrate. They have a child, and later return to Russia where their
relationship deteriorates further. Karenina gets to the point in which when she
looks at her daughter she sees Vronsky’s face and it depresses her further. The
book deals with themes of betrayal, family, marriage, imperial Russian society
and the differences between rural and urban life. The book, like all novels
penned by sad Russian authors, ends in tragedy. It’s a book that will make you
feel smarter for having read it.
The Burbs on Blu-Ray: One of my gaming buddies has seen this movie three hundred times at least (or so he claims.) He along with some other mutual friends are always quoting lines from it. I felt oddly out of place, until now. I finally have been made privy to the zaniness. Despite the film’s masterful transfer from DVD, it just didn’t do much for me. I’m rarely impressed by comedy in the first place. This one just struck me as . . . well, silly. Screenwriter Dana Olsen, who was inspired by her own upbringing in the suburbs, decided to pen a screenplay in which Ozzie and Harriett meet Charles Manson. Tom Hanks stated Joe Dante did a great job with the direction, truly telling the story through the lens of the camera, and Tom Hanks was his usual Splash era self, much more a funnyman than the serious drama guy he became later. Carrie Fisher played her role with a slightly humorous poignancy in the best of ways, but not sure I’d want to watch this one again.
Bad Luck and Trouble (Jack Reacher #11) by Lee Child: After having finished Leo Tolstoy’s epic Anna Karenina, I have to say this book is a guilty pleasure. If Anna Karenina was a marathon, this book (like all Jack Reacher books) is a 5K run. Child’s books move quickly, despite their thickness. If you’ve watched the series Reacher, then you already know the gist of this one which was the basis for the entire second season on Amazon. Jack Reacher teams up with the remnants of his old MP unit from the Army to discover who murdered one of their own.
Mission Impossible: The Final Reckoning in IMAX: With a shooting budget of $400 million dollars, this is historically, one of the most expensive films to make under Earth’s sun. Shooting took almost a year long hiatus due to a SAG strike affecting all movies being shot at the time. Oddly, the film was released first in foreign markets before being shown in the United States, (I’ll never understand why movie studios do that!) I consider myself a bit late to the party, because to my chagrin, this was a sequel to the last Mission Impossible movie, which I have not seen. Being the big budget popcorn movie it is, it didn’t take long to come up to speed. I got to see it on an IMAX screen, and lo and behold, goodness gracious! Watching Tom Cruise get the bends after diving to the bottom of the ocean to retrieve a high-tech McGuffin from a sunken Russian sub (the underwater photography is gorgeously haunting) and then seeing him walk on the wing of an old biplane in a death-defying stunt will make you hold your breath. Watching this at the IMAX theater did just that, made me hold my breath. This movie, being the end of the series, made me realize it wasn’t just the end of a three-decade-old franchise, it felt like the end of a certain kind of popcorn blockbuster Hollywood is giving up on. (I don’t like Marvel superhero movies.) It is a tragedy of sorts, but at least Tom Cruise goes out in epic style.